Media release: Mission Songs Project songbook to be launched at spectacular massed choir concerts

Jessie Lloyd’s acclaimed Mission Songs Project is taking a major step towards becoming an established part of the Australian folk songbook, with the launch of the Mission Songs Project Choir Songbook.

In an inspired collaboration between Jessie and Melbourne’s renowned Boîte Millennium Chorus, the rare secular songs that were once performed on Aboriginal missions have been arranged for choirs and will be sung by a mass choir of 200 voices at the Melbourne Town Hall on Sunday 12 August at 2.30pm.

Directed by Indigenous opera singer and musician, Jessica Hitchcock (Short Black Opera, Kate Miller-Heidke band) and accompanied by professional musicians, the choir will perform the incredibly moving songs of loss, love and longing that have been recently re-discovered by Jessie Lloyd in her field research, family conversations, and musical touring.

Reaching back to the early 1900s, the songs chronicle Aboriginal and Torres Strait Islander life on the missions to which they were removed, after being forcibly taken from their families. And although profound grief and loss lie beneath many of the songs, the lyrics, melodies and instrumentation are universally uplifting, and many are tinged with dry humour.


Boîte MILLENNIUM CHORUS 2018—MISSION SONGS PROJECT
Sunday 12 August, 2:30pm, Melbourne Town Hall, Swanston Street, city
Ticket prices: $19—$89, URL: trybooking.com/WYLN
More information: boite-millennium-chorus


These unique songs consist of almost-forgotten stories that shed light into the history of our Indigenous elders, families and communities, and explore day-to-day life in the missions. They include Own Native Land, written by Jessie’s Grandfather Albie Geia, which is a plea to end his slavery and have his land returned; Down In The Kitchen by Jessie’s Grandmother Alma Geia, a wry statement on the parlous state of mission food; and the famous war-time song Now Is The Hour, known also as the Maori farewell, adapted and given more spiritual lyrics on the missions.

Mission Songs Project Choir Songbook 2018The beautifully-illustrated 80-page songbook includes sheet music, chords, lyrics and arrangements for vocal parts in soprano, alto, tenor and bass and lead vocal, as well as the story behind each song. It promises to become a valuable resource for choir leaders, schools, musicologists, musicians and people wishing to learn more about the lives of Indigenous Australians and the songs they sang.

Boîte Director, Roger King OAM, said the Boîte was thrilled to be working with Jessie and her Mission Songs Project, and helping to share these culturally-significant songs with a wider audience.
“We’re honoured to be partnering with Jessie to produce the first Mission Songs Project Choir Songbook, and launch it through these special concerts,” he said. “We have our 200-voice adult choir performing at the Melbourne Town Hall, as well as Schools Chorus concerts in Melbourne, Ballarat and Albury; this is our most extensive concert program to date, and one that we hope will resonate with all our audiences.”

In addition to the one-off Millennium Chorus concert on August 12, the Boîte Schools Chorus of 1,000 school children across Victoria will perform the Mission Songs at five separate concerts in Melbourne, Ballarat and Albury/Wodonga.

BMC18 Front 2


About the Boîte Millennium Chorus

The Boîte Millennium Chorus started in 1999 as a one-off major celebration to usher in the 2000s and highlight the work of The Boîte in bringing culturally diverse music and musicians to Australian audiences. It was so successful, and the audience response so overwhelmingly positive, that The Boîte arranged another concert the following year. Since then the choir has grown to become the most popular, anticipated and well-attended concert in The Boîte’s packed world music event calendar.
The Chorus is a major community engagement project that creates opportunities for Victorian singers and audiences of all ages to participate in a large-scale arts event. The project is socially inclusive and accessible to people of all genders, ethnicities and abilities. The regional choir program ensures that singers from across the state can learn repertoire, engage with other cultures within Melbourne’s community and from across the world, as well as perform in a grand concert at a prestigious venue. It addresses the human need to participate in the arts and storytelling, celebrates Australia’s cultural diversity, and supports the wealth of musical talent in our community.
The Boîte Millennium Chorus is supported by Creative Victoria.


About the Boîte Schools Chorus

The Boîte Schools Chorus is a unique non-auditioned choir project for schools and community youth choirs, and is one of the only non-competitive inter-school activities that school children can participate in. It invites students into a new world through song, builds confidence, broadens horizons and develops valuable performance and interpersonal skills. Since 2004, the Boite Schools Chorus has involved over 9200 students from across Victoria in 42 concerts in Melbourne, Frankston, Ballarat, Bairnsdale and Albury. Each year the chorus focuses on a different cultural theme, which has included Africa, Pacific Islands, Seychelles, East Timor, South America and Indigenous Australia.

BOITE SCHOOLS CHORUS CONCERT DETAILS:
Wednesday 8 August, 1:00pm (matinee): Melbourne Town Hall, trybooking.com/WDQF
Wednesday 8 August, 7:30pm: Melbourne Town Hall, trybooking.com/WDQI
Saturday 1 September, 2:30pm: Wendouree Centre for Performing Arts, Ballarat, trybooking.com/WDPQ
Sunday 2nd September, 2:00pm: St Kilda Town Hall, trybooking.com/XEDQ
Wednesday 12 September, 7:00pm: Chapel Hall, Scots School, 393 Perry Street, Albury, NSW 2640: trybooking.com/WDPZ

Boite Schools Chorus 2017 by Roger King IMG_5115 web


BIOS

Jessica Hitchcock (Choir director)
Melbourne-based, with family origins from Saibai in the Torres Straits and Papua New Guinea, singer/songwriter Jessica Hitchcock is an up-and-coming Indigenous singer, musician, composer and director.
Jessica transitioned from a jazz background into the world of opera, when she joined Deborah Cheetham’s Short Black Opera Company as an artist and teacher. This led to the opportunity to sing a lead role in Opera Australia’s production of The Rabbits, for which she was awarded a prestigious Green Room Award for Best Female in a supporting role in 2016.
The role of ‘Alice’ in Pecan Summer was her debut professional opera production, for which she won a Broadway World award for best supporting actress in an opera, at the Sydney Opera House in 2017.
She sang on Jessie Lloyd’s acclaimed Mission Songs Project album, and has since performed at major festivals and concerts around Australia as one of the main vocalists for this project. Jessica has also recently been touring as Kate Miller-Heidke’s backing vocalist and pianist, and recently released a book of Indigenous Children’s choral music with Deborah Cheetham OA and Short Black Opera.

Jessie Lloyd (Artistic Director)
Originally from the tropics of North Queensland, Jessie Lloyd is an Aboriginal and Torres Strait Islander musician, composer, band leader, producer, director, curator and musicologist.
She is a cultural practitioner of Aboriginal and Torres Strait Islander music, and is dedicated to the continuation of cultural traditions through the presentation of contemporary and traditional Indigenous music.
From the Bass Strait to the Torres Strait and across the Arafura Sea, Jessie has travelled Australia and spent time with senior song men and women, uncovering precious stories and songs from the mission days.
Jessie launched the Mission Songs Project CD and concerts in 2017 to widespread acclaim. Her extensive research, musical training and family connections (her father is music pioneer, Joe Geia), as well as her Indigenous background, made her uniquely placed to uncover a precious part of our history: secular songs that were sung after church, and that explore the day to day life of the mission days across Australia, from cultural identity to love and loss. These unique songs consist of almost forgotten stories that now shed light into the history of our Indigenous elders, families and communities.

Roger King OAM (Boite Director)
From his childhood in South Africa to working as an engineer in Malaysia and on the Snowy Mountains Hydro Electric Project among a diverse multicultural workforce, Roger developed a deep and abiding interest in different cultures. He has a profound respect for the wisdom and generosity of peoples in humble circumstances, and a lifelong passion for music from all corners of the world.
In 1984, he and his partner, Therese Virtue, began coordinating The Boîte, a pioneering multicultural arts organisation that celebrates and supports cultural diversity through music. The Boîte has forged meaningful relationships with countless musicians, artists, dancers, writers and storytellers; presented thousands of events, from concerts in Hamer Hall to street songs in the back lanes of Fitzroy; and encouraged people of all ages to attend concerts, join choirs and participate in musical and vocal workshops. The Boîte facilitates creative spaces for people from many different communities, including artists who have been forced to flee from their homeland, offering friendship and support.
In 1999 Roger and Therese worked with choir director Melanie Shanahan to create the inaugural Boîte Melbourne Millennium Chorus. The concert received rave reviews and has since been the organisation’s premier annual event.
Roger is also a keen singer, performing with Gorani, a 10-voice men’s ensemble specialising in traditional village songs from Georgia and Bulgaria and appearing on national radio and TV in Georgia, Bulgaria and Australia.
In 2006, Roger and Therese were each awarded a Medal of the Order of Australia, Roger for service to the community as a director and instigator of multicultural music events, and Therese for service to the community as a manager and presenter of multicultural music and media programs.

Mission Songs Project background
Jessie Lloyd’s profoundly moving and important Mission Songs Project reveals what daily life was like for Indigenous Australians on Christian missions and state-run settlements. Through the discovery of rare secular songs that were sung after church, audiences can gain a deeper understanding about the history of elders, families and communities, from cultural identity to love and loss.
Mission Songs Project is an initiative to revive contemporary Australian Indigenous songs from 1900 to 1999, focusing on the Christian missions, state run settlements and native camps where Aboriginal and Torres Strait Islander people were relocated.
Searching for the secular songs that were sung after church, Mission Songs Project looks to explore the day to day life of the mission days, from cultural identity to love and loss. These unique songs consist of almost forgotten stories that can now shed light into the history of our Indigenous elders, families and communities.
Mission Songs Project faithfully explores the musical journey of Indigenous Australian music as Jessie Lloyd connects the traditional with contemporary, revealing the continuation of cultural practice and song traditions into the 21st Century.
An award winning composer, performer and creative entrepreneur, Jessie Lloyd is a cultural practitioner of Indigenous music and song. Dedicated to the continuation of story and song through the performance of Indigenous music, Jessie has travelled Australia in search of hidden songs to present this rare and unique Indigenous narrative.

 

Media release: 29th Wangaratta Festival of Jazz & Blues announces inspired world-class program

Australia’s foremost jazz and blues music festival, Wangaratta Festival of Jazz & Blues, to be held from Friday 2nd through Sunday 4th November in Wangaratta, north-east Victoria, has announced a stunning program of international and Australian artists to tempt travellers, lovers of live music and locals alike.
This year’s program is the most internationally-diverse in the festival’s history, with the likes of electrifying UK blues guitarist Matt Schofield, US ‘sonic explorers’ FORQ, German jazz-hip-hop piano group Trio ELF, and, in a welcome return to Wangaratta for the first time since 2010, the Netherlands’ Yuri Honing Quartet.
And the local line-up promises to be stronger and more inspiring than ever, featuring the world premiere of the Australian Art Orchestra’s new work, revered Indigenous Australian jazz vocalist Wilma Reading, all-female soul band Sweethearts, Ray Beadle coming out of retirement to perform on both jazz and blues stages with Clayton Doley and Red Hands, and Tina Harrod performing her lauded new album, City of Longing, as well as guest-starring on the beloved annual Jazz Mass program.
Festival Chair Mark Bolsius praised the artistic team—Zoe Hauptmann, Frank Davidson, Scott Solimo and Adam Simmons—for creating a program jam-packed with fresh new faces, venerable favourites and award-winning musicians from the UK, US, France, Japan, Indonesia, the Czech Republic, India, The Netherlands, Asia, Germany, Sri Lanka, Canada and Australia.
“This year really builds on the successful rebirth of the festival in 2017, when our new venues, partnerships, precinct layout and programming team were universally endorsed by audiences, artists and music critics,” Mr Bolsius said.
“Not only do we have the most diverse international line-up ever, but we continue to offer a world-class Australian line-up, something that is unique to this festival. With more than 300 musicians in over 80 concerts across eight concert locations, we promise there’s something for everyone. We’re confident that we have the right mix of music, artists, stages and programming to satisfy and delight not just serious jazz and blues aficionados, but also tourists to northeast Victoria and of course our local music-lovers.”


Artist highlights include:

  • UK blues guitarist, Matt Schofield, whose virtuoso playing has seen him named as one of the top 10 British Blues Guitarists of all time and inducted into the British Blues Hall of Fame;
  • World-class sonic improvisers, FORQ, from the US, featuring keyboardist Henry Hey (David Bowie, Empire of the Sun) and bassist Michael League (Grammy-winning leader of Snarky Puppy) and touring their third album Thrēq;
  • Vocalist Wilma Reading, whose numerous international career highlights include touring with the Duke Ellington Orchestra, performing on The Tonight Show Starring Johnny Carson, lead roles on London’s West End, and featuring at New York’s Copacabana Night Club;
  • From The Netherlands, the Yuri Honing Quartet, in a welcome return to Wangaratta for the first time since 2010, this time with an acclaimed new album, Goldbrun;
  • The world premiere of a new work by the Australian Art Orchestra—a contemplation of the 100th anniversary of Armistice Day in music by Andrea Keller, Peter Knight and Tilman Robinson;
  • A slew of inspired local/overseas collaborations including The Three Seas, a cross-cultural and cross-genre collaboration between musicians from India and Australia;
    The new Victorian Youth Jazz Collective, led by James Mustafa, paving the way for a whole new generation of young jazz musicians;
  • Opelousas, a new blues collaboration between Kerri Simpson, Alison Ferrier and Anthony ‘Shorty’ Shortte of Collard Greens and Gravy fame;
  • Ex-Canberra guitarist, Alex Stuart, touring with his French quintet;
  • Wild woman of blues and 2017-18 MBAS Blues Performer of The Year, Kelly Auty, performing her new all-original blues album, Kelly’s Blues;
  • The Adam Simmons Creative Music Ensemble with the Afrolankan Drumming System (Ray Pereira) and Indian dancer Vikram Iyengar performing The Calling;
  • 2017 National Jazz Award winner, James Macaulay, with the Hishakaku Quartet;
  • Triple J Unearthed indie-jazz-roots darlings, JAKAL, with Jessie Hillel (NZ) on vocals;
  • A rare performance by jazz royalty, Ten Part Invention, celebrating over 30 years of creating music. The festival is thrilled to have on the bill this ‘small big band’ of virtuoso composer-improvisers, described one the Radio National Music Show as “one of the most expressive large ensembles to emerge from Australia”.

Wangaratta Festival of Jazz & Blues, Friday 2nd to Sunday 4th November 2018
Artist details and program grid
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Since 1989 the Wangaratta Festival of Jazz and Blues grown to become an internationally renowned event attracting around 25,000 visitors and 200 jazz and blues artists from the US, the UK, Europe and Australia to regional north-east Victoria every November.
With a diverse, eclectic mix of jazz greats and rising stars, each year the program showcases jazz and blues of all styles, including original, contemporary, traditional, mainstream, experimental and improvised. A central feature remains the National Jazz Awards; a competition designed to encourage and promote young musicians. The Festival has won numerous tourism and sponsorship awards, and is recognised internationally as the foremost jazz and blues event in Australia.

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Music Moments Memories

Media release: Adam Simmons + Wang Zheng-Ting in world premiere of The Kites of Tianjin

REVIEWS

Adam Simmons: The Kites of Tianjin
★★★★★ Raphael Solarsh, Arts Hub
“… a fitting finale to the inimitable brilliance of The Usefulness of Art concert series by Adam Simmons.”
“The Usefulness of Art has been a ground-breaking and magnificent musical journey. Simmons and his collaborators have plotted a singularly innovative and evocative trail that has taken audience to the far-flung corners of the world with Simmons’ exquisite sonic journals. Each concert has offered not just music inspired by place but deeply personal narratives seamlessly intertwined.”
“… Adam Simmons is producing some of the most incredible jazz in Australia or anywhere else.”

Adam Simmons, The Kites of Tianjin
★★★★½ Des Cowley, Australian Books and Arts Review
“The extended applause that greeted the performance’s end seemed like a recognition of the monumentality of Adam Simmons’ Usefulness of Art series. Inspired by a direct quote from Rodin, ‘I call useful all that gives happiness’, his cycle of large-scale compositions has raised fundamental questions about the role of art in our society, and the ways in which art might bring us together. For this occasion, the performances by Wang Zheng-Ting and members of the Adam Simmons Creative Music Ensemble were flawless. For those of us fortunate enough to have attended the series, there was a sense that, for composer and audience alike, we had reached the end of a long and fascinating journey. And, like any journey, we had arrived changed from when we set out.”

Kites Soar on Breath of Life
★★★★½ Jessica Nicholas, The Age & Sydney Morning Herald
“…Simmons has used [The Usefulness of Art series] to explore the value of music and art in shaping identity and fostering a sense of community.”
“… the exceptional artistry of sheng player Wang Zheng Ting […] the sheng flutters and dances with the delicacy of butterfly wings, though it can also pulse with rhythmic vitality.”
“…Simmons uses his instruments and… his entire 15-piece Creative Music Ensemble… to draw parallels between music and nature, art and pleasure.”
“The Kites of Tianjin is all about wind and its relationship to breath – and breath to life – and as the piece comes to an end, the musicians put down their instruments and simply breathe. Simmons looks out at us, issuing a gentle invitation to breathe with them. It’s a simple but deeply moving gesture, signifying the inclusiveness and desire to share that makes Simmons’ work so meaningful.”

Wind as Breath, Breath as Life
—Roger Mitchell, Ausjazz.net
“Breathtakingly beautiful…the ending also draws the audience in to share and engage with the ensemble, but in a totally different way. We gradually become aware that the music is becoming breath-like and, in an utterly magic experience, realise as the music fades that all that remains is the breathing. Like gentle waves washing on a sea shore the breathing takes us to an utterly restful and peaceful place. Instead of our breath being taken, we are filled with and enlivened by our own breathing. Don’t miss the chance to hear this concert.”


MEDIA RELEASE

Acclaimed Melbourne composer, Adam Simmons, will perform the world premiere of his latest new musical work, The Kites of Tianjin, at fortyfivedownstairs from Thursday 26 to Sunday 29 July.
Inspired by Simmons’ experiences in the northern Chinese city of Tianjin, famous for its Wei Kites, The Kites of Tianjin will feature Wang Zheng-Ting on Sheng (Chinese mouth organ) as featured soloist with the Adam Simmons Creative Music Ensemble.
The Kites of Tianjin will be the fifth and final concert in Simmons’ acclaimed The Usefulness of Art series. Comprising five unique and original concerts over 2017-18, The Usefulness of Art originated from a quote by Auguste Rodin, and is the driving force behind Simmons’ formidable musical career.
Since meeting in 2007, Simmons and Ting have collaborated on a number of major concerts as a duo and with Simmons’s trio, Origami. The two were intrigued by the Wei Kites during a visit to Tianjin in 2017, where they attended a workshop run by Wei Guoqiu, a fourth-generation member of the famous kite-making family.
“There’s something irresistible about making your own kite… and about finding the way to ride the wind. It’s similar to playing with nature in other ways, such as creating sand tunnels at the beach or floating sticks down the river or stoking the hot coals to produce flames,” says Simmons.
“A kite is brought to life by the wind—and we in turn rely on breathing to give us life. This invisible force around us has such potential for creation and sustenance. My personal revelation a few years back is that really what I have been learning via my musical instruments is fundamentally about how to breathe—and that to breathe is to live. In this way, the kite in the wind becomes a metaphor for living.”
The Kites of Tianjin—which musically and visually explores breath and the fundamental nature of being human—is the culmination of the preceding Usefulness of Art concerts. Together, the concerts have used Simmons’ original art music to ponder such weighty concepts as the creation of form, art through music, qualities that art engenders in humanity, reasons to create art, how art connects communities and helps develop understanding of one’s place in the world, exploring personal identity, and connecting to place.
The first four concerts have elicited rapturous praise from critics and audiences alike, including The Age’s Jessica Nicholas: “… another marvellously assured step in Simmons’ own journey as musician and composer, and a potent demonstration of the usefulness – no, the necessity – of art as an expression of our collective humanity,” and “(The Calling was) arresting both musically and visually, reflecting the sense of empathy and shared experience that gives this work such a strong emotional resonance.”
Two 5-star reviews by Raphael Solarsh of Arts Hub effused: “… (a) sonic freefall into a raw and emotive tour de force… another masterpiece by Simmons and his collaborators,” and “Simmons’ music is rich and evocative with the cinematic string arrangement given a grittier and more tactile edge by saxophony that spanned subtle breath all the way to unrestrained wail.”

This concert is supported by the City of Melbourne Arts Grants Program.


THE KITES OF TIANJIN—BIOS

Adam Simmons
A virtuoso player of saxophones, clarinets, flute and shakuhachi (Japanese flute), Adam Simmons stretches the boundaries of modern composition and infuses a sense of wonder and playfulness into musical art forms better known for their gravitas. His performances are not so much ‘concerts’ as staged auditory spectacles—drawing audiences in to share in the uniquely communal power and euphoria of his music and art. He has a rare and uncanny ability to elicit the very best from the highly accomplished musicians he works with, as well as evoking spine-tingling emotion and rapturous applause from audiences.
His concerts are joyous, inspired cross-genre collaborations with virtuoso musicians and theatrical artists. Previous concerts have involved not only his eclectic Creative Music Ensemble (in which his father, Paul Simmons, plays saxophone) but also artists of the calibre of Michael Kieran Harvey, the Arcko Symphonic Ensemble, and Diokno Pasilan.
Adam is the lead Co-Artistic Director of Wangaratta Festival of Jazz & Blues. He was also selected for the 2017 intake for Australia Council’s Arts Leader Program.

Wang Zheng-Ting
Wang Zheng-Ting is a world-renowned musician (Sheng, Chinese mouth organ), musical director, lecturer, author and ethnomusicologist. He graduated from Shanghai Music Conservatory and completed an MA in Ethnomusicology at Monash University and a PhD in Ethnomusicology at the University of Melbourne, and is an honorary research fellow at Monash University.
He co-ordinated the Chinese Instrumental Music course at the University of Melbourne, was a Melbourne Festival Ambassador in 2014 and 2015, and has been invited as a visiting scholar to the City University of New York, guest professor at Xiamen University, and Research Fellow at the Sichuan Conservatory of Music. He is director of the Australian Chinese Music Ensemble.
As a lecturer and solo performer on the Sheng (Chinese mouth organ), he has performed recitals across the world including the US (New York Lincoln Center, University of California), and in Zurich, Germany, Thailand, Tokyo, Holland, China and Italy. His book, Chinese Music in Australia: Victoria, 1850s to mid-1990s was published in 1997.

The Adam Simmons Creative Ensemble (ASCME)
The ASCME first performed in 2004 at the Sydney Opera House for the Freedman Awards, resulting in a Special Award from the Freedman Foundation being awarded to Simmons for his work. Since then the group has performed at Melbourne Jazz Fringe Festival, Festival Of Slow Music and Wentworth Arts Festival, as well as being recorded by ABC FM at the Half Bent Music Festival. ASCME combines the outstanding talents of musicians from diverse backgrounds, performing cross-genre music that connects, engages and resonates powerfully with audiences. The ensemble has also performed in three of The Usefulness of Art concerts so far, and for the Kites of Tianjin will comprise:
Leader/woodwinds—Adam Simmons
Saxophones—Samuel Boon (Saskwatch), Cara Taber (Esstee Big Band), Gideon Brazil (Gotye, The Rockets), Paul Simmons (Adam’s father, from Ballarat; The Parrots inc. David Hobson, Kamahl, Dolphy’s Albatross)
Trumpets—Gemma Horbury (Orkeztra Glasso Bashalde, Tek Tek Ensemble), Gavin Cornish (Movin’ & Groovin’ Orchestra)
Trombones—James Wilkinson (Snuff Puppets), Bryn Hills (from Ballarat; The Boxing Tostados)
Bass—Howard Cairns (Origami, Way Out West)
Drums—Niko Schauble (Australian Art Orchestra, Tibetan Dixie)
Percussion—Nat Grant (The Amplified Elephants), Carmen Chan (Do You See What I Hear?)
Guitar—David Brown (bucketrider, Pateras/Baxter/Brown, Candlesnuffer)
Vocals—Pete Lawler (Weddings Parties Anything, RRR BBQ Orchestra)

THE KITES OF TIANJIN—COSTUMES
Fashion/costumier—Christine Crawshaw (Ballarat; BOLT Ensemble, Ballarat Heritage Festival)
Christine Crawshaw is a Ballarat-based freelance designer for events involving set dressing, display, costuming for events, weddings and theatre. With a background in visual arts (Victorian Collage of the Arts and Ballarat University College) Christine has worked with performers in live music and festivals for over 20 years, including BOLT Ensemble, Festival of Slow Music, Adam Simmons Creative Music Ensemble and Harvest Festival (Buninyong).

THE KITES OF TIANJIN—SET DESIGN
Set designer—Rachaeldaisy
Award-winning quilting artist Rachaeldaisy (Rachael Simmons, Springwood, NSW) has become synonymous with bold, colourful, highly detailed quilts. While honouring the age-old tradition of quilting, Rachaeldaisy constantly creates fresh ways and techniques to interpret conventional designs. Her use of 3D elements such as folded and gathered fabric techniques, yoyo puffs, prairie points, wool felt, appliqué denim and crochet doilies, as well as her mastery of colour and form, make for unique, exquisitely textural work. Rachaeldaisy’s quilts have been exhibited in national and international quilt shows and galleries. Rachaeldaisy is Adam Simmons’s sister.
https://www.instagram.com/bluemountaindaisy/

THE KITES OF TIANJIN—VISUALS
Visual designer—Jean Poole
Jean Poole is a Melbourne-based video artist, specialising in live projections, though extending to animation, music video direction and installation design. Jean has designed live visual sets for artists such as Gotye, Cumbia Cosmonauts and Cleverhorse. He has been commissioned to create and control projection mapped video environments for the MONA museum’s annual MOFO and Dark MOFO festivals.
His fascination with the possibilities of real-time video manipulation – has seen him projecting video onto 100-million-year-old dinosaur skeletons onto car wrecks in the Australian desert, onto Turkey’s Cappadocia cliffs, and onto masked wrestlers on rooftops in Mexico. This passion for shaping atmospheres with video, has also found him controlling multi-screened and projection mapped video for theatre, and accompanying musicians at the Sydney Opera House, ACMI, the OK Video festival in Jakarta, Indonesia, the LPM festival in Rome, Italy, and at Australian festivals such as Big Day Out, Meredith Music Festival, Electrofringe, Stereosonic, Golden Plains, Good Vibrations, Melbourne International Jazz festival and Falls Festival.

THE KITES OF TIANJIN—Other points of interest
Tianjin
With a population of more than 15 million, the northern coastal city of Tianjin is the fourth largest city in China. In 1980, Melbourne and Tianjin formed a sister city relationship—the first such relationship between an Australian and a Chinese city. In 1998, the Melbourne Office opened in Tianjin to facilitate trade, investment and exchanges between the two cities. The City of Melbourne remains the only Australian local government to have an established business office in China. Melbourne’s sister city relationship with Tianjin fosters understanding and goodwill between the two cities and recognises contributions made by the Chinese community to Melbourne’s business, culture and community life.

Wei Kites
Spring and autumn kite-making emerged as a traditional Chinese folk craft around 770 BC. In ancient China, kites were known as ‘paper eagles’ and used to measure distances and send signals, as well as for fun and recreation. Selecting the materials (silk, bamboo, and paper), designing, making and mastering the flying of these beautiful kites is a painstaking process.
The city of Tianjin is especially renowned for its kite craftsmen; the most famous of whom was Wei Yuantai, born in 1872. Nicknamed Kite Wei for his mastery of the craft, he made extraordinary kites for more than 70 years. Kite Wei created around 200 silk kites with many new designs, such as flat hard-winged, soft-winged, three-dimensional and foldaway kites, which have a flexible bamboo framework secured with glue instead of thread, and reinforced by a copper ring at every joint. Kite Wei passed on his craft to his family members, and today his great-great grandson Wei Guoqiu continues his kite-making tradition.


Previous concerts in The Usefulness of Art concert series:
Concert #4: The Calling (Adam Simmons with Afro-Lankan Drumming System)
Concert #3: Travelling Tales (Adam Simmons with Arcko Ensemble)
Concert #2: Meditation on The Usefulness of Art is music for our times (The Usefulness of Art, Adam Simmons Creative Music Ensemble)
Concert #1: Unique concert series to explore The Usefulness of Art (Concerto for Piano & Toy Band, Adam Simmons Creative Music Ensemble with Michael Kieran Harvey)