Media release: Mission Songs Project songbook to be launched at spectacular massed choir concerts

Jessie Lloyd’s acclaimed Mission Songs Project is taking a major step towards becoming an established part of the Australian folk songbook, with the launch of the Mission Songs Project Choir Songbook.

In an inspired collaboration between Jessie and Melbourne’s renowned Boîte Millennium Chorus, the rare secular songs that were once performed on Aboriginal missions have been arranged for choirs and will be sung by a mass choir of 200 voices at the Melbourne Town Hall on Sunday 12 August at 2.30pm.

Directed by Indigenous opera singer and musician, Jessica Hitchcock (Short Black Opera, Kate Miller-Heidke band) and accompanied by professional musicians, the choir will perform the incredibly moving songs of loss, love and longing that have been recently re-discovered by Jessie Lloyd in her field research, family conversations, and musical touring.

Reaching back to the early 1900s, the songs chronicle Aboriginal and Torres Strait Islander life on the missions to which they were removed, after being forcibly taken from their families. And although profound grief and loss lie beneath many of the songs, the lyrics, melodies and instrumentation are universally uplifting, and many are tinged with dry humour.


Boîte MILLENNIUM CHORUS 2018—MISSION SONGS PROJECT
Sunday 12 August, 2:30pm, Melbourne Town Hall, Swanston Street, city
Ticket prices: $19—$89, URL: trybooking.com/WYLN
More information: boite-millennium-chorus


These unique songs consist of almost-forgotten stories that shed light into the history of our Indigenous elders, families and communities, and explore day-to-day life in the missions. They include Own Native Land, written by Jessie’s Grandfather Albie Geia, which is a plea to end his slavery and have his land returned; Down In The Kitchen by Jessie’s Grandmother Alma Geia, a wry statement on the parlous state of mission food; and the famous war-time song Now Is The Hour, known also as the Maori farewell, adapted and given more spiritual lyrics on the missions.

Mission Songs Project Choir Songbook 2018The beautifully-illustrated 80-page songbook includes sheet music, chords, lyrics and arrangements for vocal parts in soprano, alto, tenor and bass and lead vocal, as well as the story behind each song. It promises to become a valuable resource for choir leaders, schools, musicologists, musicians and people wishing to learn more about the lives of Indigenous Australians and the songs they sang.

Boîte Director, Roger King OAM, said the Boîte was thrilled to be working with Jessie and her Mission Songs Project, and helping to share these culturally-significant songs with a wider audience.
“We’re honoured to be partnering with Jessie to produce the first Mission Songs Project Choir Songbook, and launch it through these special concerts,” he said. “We have our 200-voice adult choir performing at the Melbourne Town Hall, as well as Schools Chorus concerts in Melbourne, Ballarat and Albury; this is our most extensive concert program to date, and one that we hope will resonate with all our audiences.”

In addition to the one-off Millennium Chorus concert on August 12, the Boîte Schools Chorus of 1,000 school children across Victoria will perform the Mission Songs at five separate concerts in Melbourne, Ballarat and Albury/Wodonga.

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About the Boîte Millennium Chorus

The Boîte Millennium Chorus started in 1999 as a one-off major celebration to usher in the 2000s and highlight the work of The Boîte in bringing culturally diverse music and musicians to Australian audiences. It was so successful, and the audience response so overwhelmingly positive, that The Boîte arranged another concert the following year. Since then the choir has grown to become the most popular, anticipated and well-attended concert in The Boîte’s packed world music event calendar.
The Chorus is a major community engagement project that creates opportunities for Victorian singers and audiences of all ages to participate in a large-scale arts event. The project is socially inclusive and accessible to people of all genders, ethnicities and abilities. The regional choir program ensures that singers from across the state can learn repertoire, engage with other cultures within Melbourne’s community and from across the world, as well as perform in a grand concert at a prestigious venue. It addresses the human need to participate in the arts and storytelling, celebrates Australia’s cultural diversity, and supports the wealth of musical talent in our community.
The Boîte Millennium Chorus is supported by Creative Victoria.


About the Boîte Schools Chorus

The Boîte Schools Chorus is a unique non-auditioned choir project for schools and community youth choirs, and is one of the only non-competitive inter-school activities that school children can participate in. It invites students into a new world through song, builds confidence, broadens horizons and develops valuable performance and interpersonal skills. Since 2004, the Boite Schools Chorus has involved over 9200 students from across Victoria in 42 concerts in Melbourne, Frankston, Ballarat, Bairnsdale and Albury. Each year the chorus focuses on a different cultural theme, which has included Africa, Pacific Islands, Seychelles, East Timor, South America and Indigenous Australia.

BOITE SCHOOLS CHORUS CONCERT DETAILS:
Wednesday 8 August, 1:00pm (matinee): Melbourne Town Hall, trybooking.com/WDQF
Wednesday 8 August, 7:30pm: Melbourne Town Hall, trybooking.com/WDQI
Saturday 1 September, 2:30pm: Wendouree Centre for Performing Arts, Ballarat, trybooking.com/WDPQ
Sunday 2nd September, 2:00pm: St Kilda Town Hall, trybooking.com/XEDQ
Wednesday 12 September, 7:00pm: Chapel Hall, Scots School, 393 Perry Street, Albury, NSW 2640: trybooking.com/WDPZ

Boite Schools Chorus 2017 by Roger King IMG_5115 web


BIOS

Jessica Hitchcock (Choir director)
Melbourne-based, with family origins from Saibai in the Torres Straits and Papua New Guinea, singer/songwriter Jessica Hitchcock is an up-and-coming Indigenous singer, musician, composer and director.
Jessica transitioned from a jazz background into the world of opera, when she joined Deborah Cheetham’s Short Black Opera Company as an artist and teacher. This led to the opportunity to sing a lead role in Opera Australia’s production of The Rabbits, for which she was awarded a prestigious Green Room Award for Best Female in a supporting role in 2016.
The role of ‘Alice’ in Pecan Summer was her debut professional opera production, for which she won a Broadway World award for best supporting actress in an opera, at the Sydney Opera House in 2017.
She sang on Jessie Lloyd’s acclaimed Mission Songs Project album, and has since performed at major festivals and concerts around Australia as one of the main vocalists for this project. Jessica has also recently been touring as Kate Miller-Heidke’s backing vocalist and pianist, and recently released a book of Indigenous Children’s choral music with Deborah Cheetham OA and Short Black Opera.

Jessie Lloyd (Artistic Director)
Originally from the tropics of North Queensland, Jessie Lloyd is an Aboriginal and Torres Strait Islander musician, composer, band leader, producer, director, curator and musicologist.
She is a cultural practitioner of Aboriginal and Torres Strait Islander music, and is dedicated to the continuation of cultural traditions through the presentation of contemporary and traditional Indigenous music.
From the Bass Strait to the Torres Strait and across the Arafura Sea, Jessie has travelled Australia and spent time with senior song men and women, uncovering precious stories and songs from the mission days.
Jessie launched the Mission Songs Project CD and concerts in 2017 to widespread acclaim. Her extensive research, musical training and family connections (her father is music pioneer, Joe Geia), as well as her Indigenous background, made her uniquely placed to uncover a precious part of our history: secular songs that were sung after church, and that explore the day to day life of the mission days across Australia, from cultural identity to love and loss. These unique songs consist of almost forgotten stories that now shed light into the history of our Indigenous elders, families and communities.

Roger King OAM (Boite Director)
From his childhood in South Africa to working as an engineer in Malaysia and on the Snowy Mountains Hydro Electric Project among a diverse multicultural workforce, Roger developed a deep and abiding interest in different cultures. He has a profound respect for the wisdom and generosity of peoples in humble circumstances, and a lifelong passion for music from all corners of the world.
In 1984, he and his partner, Therese Virtue, began coordinating The Boîte, a pioneering multicultural arts organisation that celebrates and supports cultural diversity through music. The Boîte has forged meaningful relationships with countless musicians, artists, dancers, writers and storytellers; presented thousands of events, from concerts in Hamer Hall to street songs in the back lanes of Fitzroy; and encouraged people of all ages to attend concerts, join choirs and participate in musical and vocal workshops. The Boîte facilitates creative spaces for people from many different communities, including artists who have been forced to flee from their homeland, offering friendship and support.
In 1999 Roger and Therese worked with choir director Melanie Shanahan to create the inaugural Boîte Melbourne Millennium Chorus. The concert received rave reviews and has since been the organisation’s premier annual event.
Roger is also a keen singer, performing with Gorani, a 10-voice men’s ensemble specialising in traditional village songs from Georgia and Bulgaria and appearing on national radio and TV in Georgia, Bulgaria and Australia.
In 2006, Roger and Therese were each awarded a Medal of the Order of Australia, Roger for service to the community as a director and instigator of multicultural music events, and Therese for service to the community as a manager and presenter of multicultural music and media programs.

Mission Songs Project background
Jessie Lloyd’s profoundly moving and important Mission Songs Project reveals what daily life was like for Indigenous Australians on Christian missions and state-run settlements. Through the discovery of rare secular songs that were sung after church, audiences can gain a deeper understanding about the history of elders, families and communities, from cultural identity to love and loss.
Mission Songs Project is an initiative to revive contemporary Australian Indigenous songs from 1900 to 1999, focusing on the Christian missions, state run settlements and native camps where Aboriginal and Torres Strait Islander people were relocated.
Searching for the secular songs that were sung after church, Mission Songs Project looks to explore the day to day life of the mission days, from cultural identity to love and loss. These unique songs consist of almost forgotten stories that can now shed light into the history of our Indigenous elders, families and communities.
Mission Songs Project faithfully explores the musical journey of Indigenous Australian music as Jessie Lloyd connects the traditional with contemporary, revealing the continuation of cultural practice and song traditions into the 21st Century.
An award winning composer, performer and creative entrepreneur, Jessie Lloyd is a cultural practitioner of Indigenous music and song. Dedicated to the continuation of story and song through the performance of Indigenous music, Jessie has travelled Australia in search of hidden songs to present this rare and unique Indigenous narrative.

 

Media release: Deline Briscoe, Yalanji Woman of Song launches solo debut CD, Wawu

After 10 years touring the world as a principal artist with the Black Arm Band and performing with Archie Roach, Dr G Yunupingu and Jessie Lloyd’s Mission Songs Project, Yalanji woman of song Deline Briscoe has launched her stunning solo debut album, Wawu.
Wawu—a Yalanji word encompassing the concepts of spirit, heart, love and connections between people, land, past, present and future—tells the story of four generations of women from one family: Deline, her daughter Jade, her Mother and her Mother’s mother.
Sung in Yalanji language as well as English, the songs extend a gentle call to people struggling in life; an acknowledgement of their pain, and a tender reassurance that can only come from women who have risen, triumphant, from the darkest of times.
While the songs speak of the older women’s journeys through the trauma of separation from their families and of her own experience with abusive relationships, the mood of the album is compassionate and redemptive. In both subject and style, the album’s acoustic soul/hip-hop/jazz fusions draws parallels with Lauryn Hill’s groundbreaking The Miseducation of Lauryn Hill.
Deline’s extraordinary, soulful and jazz-infused vocals are enriched by all-acoustic instruments brilliantly played by Airileke Ingram (drums), Robbie Finch (double bass), Stephen Maxwell (piano), Paul Coyle (trumpet) and Phil Bywater (clarinet/saxophone) as the core band.
Special guests include ARIA award-winning jazz pianist/composer Andrea Keller, with whom Deline co-wrote the exquisite Sonrise. Ignorance Is Bliss, written by Tiddas (Lou Bennett, Amy Saunders and Sally Dastey), is given a contemporary re-working and features the reunited Tiddas on harmony vocals. Deline’s 12-year-old daughter, Jade’Amali Leuga, lends her assured spoken-word vocals to In The Night. Sister songstresses from the Mission Songs Project, Jessie Lloyd, Jess Hitchcock and Emma Donovan, harmonise throughout.
In Ngadijina, a spoken-word piece, Deline recites her Nanna’s memories of witnessing her family being taken by police in the era of the first stolen generation (quoted verbatim from her Nanna’s interview for the Bringing Them Home report), while the ethereal Tree (co-written by Deline and Bart Willoughby, based on a poem and lyrics by Kevin Gilbert), is a hymn to creation and nature.
Wawu is the realisation of Deline’s creative vision, nurtured over the last 20 years. The launch concerts promise to capture the imaginations, hearts and ears of audiences—her album and show will be a spiritual experience as much as a musical journey.


INTERVIEWS
Saturday 30 June 2018—ABC Radio National, Awaye with Daniel Browning
Sunday 8 July 2018—ABC Radio National, The Music Show with Andrew Ford


DELINE BRISCOE—BIO
Deline Briscoe is an internationally acclaimed singer songwriter hailing from the Kuku Yalanji of far northern Australia. Her soulful intimate sound has defined her as one of Australia’s finest voices. A principal artist in Australia’s leading performing arts company Black Arm Band, Deline has performed to over one million people worldwide, alongside artists such as Archie Roach, Dr G Yunupingu, Tiddas, Emma Donovan, and Jessie Lloyd’s Mission Songs Project.
Showcasing her strong Indigenous heritage with songs in her mother tongue Gugu Yalanji of North Queensland, Deline’s progressive journey as a Yalanji songwoman upholds cultural song traditions through her language connection. As a mother, Deline also has an understanding of the beauty and pain of our human experience, her songs bring messages of love, hope and empowerment for women. With humble beginnings in the trio act Briscoe Sisters, Deline developed exceptional abilities in musical arrangements and compositions. Her unique sound is described as ‘Rainforest Soul’; acoustic roots with harmonies interweaving vocal lines that seamlessly move between traditional and modern songlines.
Deline Briscoe EPK


WAWU—CD DETAILS

Deline Briscoe solo debut CD, Wawu
Release date: July 2018
Name of album : Wawu
Artist : Deline Briscoe
Genre/s : Roots/Jazz/Acoustic Soul/Acoustic Hip hop/ Folk
Produced by : Deline Briscoe and Airileke
Engineered & mixed by : Colin Leadbetter, Sing Sing
Mastered by : Matthew Cunliffe
Australian distribution : MGM Online Distribution (digital)
https://www.delinebriscoe.com and live shows (hard copies)
Label : Independent
Publisher : Gaba Musik
CD Design : Lyn Geia
Photography : Peggy Kasabad
Weaving : Delissa Walker

Track list and song I.D.
01  Wawu  : 1:29 AUGGB1870001
02  Heartbeat   : 3:53 AUGGB1870002
03  Human Experience : 4:57 AUGGB1870003
04  Sonrise : 4:57 AUGGB1870004
05  Joe : 5:16 AUGGB1870005
06 Ignorance Is Bliss : 4:20 AUGGB1870006
07  Trust Us : 2:48 AUGGB1870007
08  Tree : 3:42 AUGGB1870008
09  Ngadijina : 1:07 AUGGB1870009
10  Sweet Frangipani : 5:04 AUGGB1870010
11  All Things Broken : 5:17 AUGGB1870011
12  In The Night : 2:46 AUGGB1870012
13  Need Your Love : 4:35 AUGGB1870013

Musicians (core band):
Airileke Ingram – Drums, Robbie Finch – Double Bass, Stephen Maxwell – Piano, Paul Coyle – trumpet, Phil Bywater – Clarinet/Saxophone

Guests artists include:
Andrea Keller (piano/composer); Tiddas (composers/harmony vocals); Emma Donovan, Jessie Lloyd and Jess Hitchcock (harmony vocals)

Musicians:

Wawu
Piano : Stephen Maxwell
Drums : Airileke Ingram
Bass : Robert Finch

Heartbeat
Piano : Stephen Maxwell
Drums : Airileke Ingram
Bass : Robert Finch
Harmony : Lou Bennett
Harmony : Emma Donovan
Harmony : Jessie Lloyd

Human Experience
Piano : Stephen Maxwell
Drums : Airileke Ingram
Bass : Robert Finch
Guitar : Deline Briscoe
Clarinet : Phil Bywater
Trumpet : Paul Coyle
Percussion : Airileke Ingram
Harmony : Jessica Hitchcock
Copyright : Deline Briscoe

Sonrise
Piano : Andrea Keller
Copyright : Briscoe/Keller

Joe
Piano : Stephen Maxwell
Drums : Airileke Ingram
Bass : Robert Finch
Percussion : Airileke Ingram
Guitar : Deline Briscoe
Harmony : Jessie Lloyd
Harmony : Emma Donovan
Harmony : Jesica Hitchcock

Ignorance is Bliss
Piano : Stephen Maxwell
Drums : Airileke Ingram
Bass : Robert Finch
Guitar : Francis Diatschenko
Harmony 1 : Lou Bennett
Harmony 2 : Sally Dastey
Harmony 3 : Amy Saunders

Trust Us
Piano : Stephen Maxwell
Bass : Robert Finch
Drums : Airileke Ingram
Guitar : Deline Briscoe
L. Guitar : Francis Diatschenko
Percussion : Airileke Ingram
Harmony : Emma Donovan
Harmony : Jessies Lloyd
Harmony : Jessica Hitchcock

Tree
Piano : Stephen Maxwell

Ngadijina
Harmony : Deline Briscoe
Harmony : Jessica Hitchcock
Verbatim : Deline Briscoe

Sweet Frangipani
Piano : Stephen Maxwell
Bass : Robert Finch
Guitar : Deline Briscoe
L. Guitar : Colin Badger
Percussion : Airileke Ingram
Harmony : Jessica Hitchcock

All Things Broken
Piano : Stephen Maxwell
Bass : Robert Finch
Drums : Airileke Ingram
Trumpet : Paul Coyle

In The Night
Piano : Stephen Maxwell
Vocal : Jade’Amali Leuga

Need Your Love
Bass : Robert Finch
Guitar : Deline Briscoe
Percuss. : Neda Rahmani
L.Guitar : Colin Badger
Harmony : Jessica Hitchcock

 

 

National Folk Festival Easter 2018

Media campaign: National Folk Festival, Canberra 2018

Offering ‘five days in a perfect world’, Canberra’s award-winning National Folk Festival is one of the country’s longest-running, family-friendly and widely loved music festivals. The five-day celebration of music, song, dance, circus, spoken word and film features more than 200 international and national acts. Hundreds of volunteers transform Exhibition Park (EPIC) into a fantastical village, complete with roving entertainers, street circus, stages of all sizes, market stalls, food vans, shopping precincts, cafes, themed bars and arts and craft activities.
The 52nd National Folk Festival runs throughout Easter, 29 March—2 April 2018 at Exhibition Park, corner Flemington Road and Northbourne Avenue, Mitchell, ACT. Tickets on sale now: discounted Early Bird Tickets available.
w:  folkfestival.org.au
t: (02) 6262 4792 e: info@folkfestival.org.au
#ournff #5daysinaperfectworld
@natfolkfest


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NATIONAL FOLK FESTIVAL CELEBRATING INDIGENOUS ARTISTS
Legendary singer/songwriter, musician and pioneer of contemporary Aboriginal music, Joe Geia, will perform with his band at the National Folk Festival in Canberra at Easter.
This year marks the 30th anniversary of the release of his hit song, Yil Lull (meaning ‘sing’ in Kuku Yalanji language from North Queensland), which is widely recognised as the unofficial Aboriginal national anthem. Its message of hope, justice and belonging remains relevant and powerful to this day.
Joining Geia on the Festival’s First Peoples program for 2018 are multi-award-winning WA songman, John Bennett. Establishing a name as the ‘voice of the Kimberley’, Bennett returns to the National with his new album Country is Calling and sidemen David Hyams and Lucky Oceans.
Twenty-year old singer/songwriter Alice Skye is an exciting emerging force on the music scene. Her original songs sparkle with a sensitivity and maturity beyond her years, accompanied by gentle and hauntingly sparse melodies. Alice’s voice is a combination of hopeful and haunting, naturally sweet, and slow and dreamlike. She will be launching her debut album, Friends With Feelings, at the NFF.
Emerging North East Arnhem Land artist, Dhapanbal Yunupiŋu, will launch her stunning debut EP at the Festival. As one of Dr M Yunupiŋu’s six daughters, Dhapanbal grew up surrounded by the lyrics and rhythms of Yothu Yindi, the band her father co-founded, as well as the ‘Milkarri’—female grieving songlines to sing the spirits of the departed back to their ancestral homelands.
Indigenous artist and poet Peter Swain on didgeridoo will join Canberra poet John Passant to create an unforgettable tapestry of song, spoken word and Indigenous poetry.
Indigenous West Australian of the Year 2017 and Noongar singer-songwriter Gina Williams rejoins forces with Guy Ghouse and friends to bring her incandescent vocals, musical brilliance and a new album of songs in Noongar language to the festival.

Along with these and more Indigenous artists, the Festival today announced another slew of top-line international and local acts joining this year’s program.
SON (Susan O’Neill, Ireland) has been compared to Adele and Florence and the Machine, and picked up many fans including U2’s Bono. The amazing range of her vocals combined with her superb guitar technique, loop pedals and trumpet, make for a truly unforgettable musical experience.
Also from Ireland, Andy Irvine has been ‘one of the towering talents on the international folk scene’ (Sydney Morning Herald) for more than 40 years. For the National, he teams up with Tasmanian folk musician and multi-instrumentalist Luke Plumb, whose talents are well recognised on the global folk music stage.

The National continues to build on its well-earned reputation for diversity and inclusion, with a stronger-than-ever line-up of female artists as well as artists from all corners of the world.
Aine Tyrrell‘s music is a contemporary folk collision between the Ireland of generations gone, and the hope of tomorrow. Her songs are as honest as an old friend, warm and inviting. With spine-tingling harmonies, charming storytelling and humour, Co-cheòl has a rare ability to evoke a gamut of emotions from laughter to tears. This audacious quartet performs traditional Scottish, Irish and original music, traversing both a cappella and accompanied songs with sublime musicianship. All-female folk super group, The Drowsy Maggies delight audiences around Australia with their stunning harmony-filled original songs, cracking original tune sets and swinging bass. Monique Clare (Folk Alliance Australia’s Young Performer of the Year in 2017) is a cello-wielding songstress, hailing from the foothills of Mount Coot-tha. Between ongoing explorations into Scandinavian and American traditional folk, a classical cello degree and a Radiohead obsession, her beautifully quirky songs are a melting pot of eclectic influences.
Somewhere between an Italian wedding band and a French revolution, Bella Donna Gorgonzola knows how to start a party in eight languages. These playful paisanos perform a mix of youthful favourites and drinking hits that delight audiences of all ages. Afro Moses is a multi award-winning artist from Ghana, West Africa. His band delivers a vibrant, high-energy show, creating a fusion of styles from across the globe including African, reggae and funk. Balkanski Bus is a multi-ethnic group which plays traditional Balkan (Macedonian, Bulgarian, Serbian, Rumanian), Greek, Turkish and Romany music, both songs and dance tunes, in authentic style on a range of traditional and electric instruments. And the Ukulele Republic of Canberra returns to perform, and to host one of the most popular jam sessions of the Festival—the National Uke Muster. Each year this daily morning session has been growing in popularity and moving to bigger and bigger venues, as people discover the magic of playing this iconic little instrument together in a guided group.


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ELEPHANT SESSIONS JOINS NATIONAL FOLK FESTIVAL LINE-UP
Multi award winning Neo-trad quintet, Elephant Sessions, have just been confirmed to perform at the 2018 National Folk Festival.
Riding a wave of popularity, the indie folk band from the Highlands of Scotland has been enthralling audiences at some of Europe’s most notable festivals and attracting critical accolades from music writers across all genres, including Rolling Stone magazine.

The National Folk Festival today announced Elephant Sessions, along with a range of new artists in its 2018 line-up, including top-drawer overseas and local acts, loud and proud community choirs, and incisive and comedic poets.
Belgian quintet WÖR injects new energy into 18th-century tunes from the Flanders region with their finely textured, innovative arrangements. Theirs is a modern twist on old tunes from the masters.
A treat for lovers of Irish music, Compánach is an intimate, audio-visual concert of music, song and dance bringing alive Irish traditional music against a backing flow of large-screen photographic images. Irish band, The Young Folk will delight with their tender song writing and harmonies and Trouble in the Kitchen returns to the National with a fresh repertoire of their firebrand take on Irish traditional music. Dancing shoes required!
Festival favourites and recent ARIA award winners All Our Exes Live in Texas have been described as “the most badass girl folk group ever”. Their powerful harmonies and heartbreakingly good song writing have wowed audiences across Australia and internationally and this is their third time the National. Another favourite, Victorian triple ARIA winners, My Friend The Chocolate Cake returns to the National in 2018 after a long absence.
Esteemed Scottish tradition bearer Fiona Ross joins forces with guitar maestro and ex-Steeleye Span member Ken Nicol to deliver a mesmerising set of traditional songs while The Melbourne Scottish Fiddle Club, with members aged from 8 to 80 will play original songs and haunting airs, high-octane jigs, reels and strathspeys.
There’s New Orleans street music from Sydney’s own Low Down Riders, upbeat, irreverent, eclectic versions of folk, blues, rap, country and gypsy music from Jugularity, bluegrass from recent Golden Guitar award winners the Davidson Brothers, old-school blues, Delta gospel and Mississippi Jazz from Electric Tommy Johnston and blues, gospel and folk from Frets Patrick.
Winner of the 2017 Lis Johnson Award for Vocal Excellence, Loren Kate will perform her beautifully crafted songs, The Northern Folk will showcase their unique brand of folk/pop/stomp/rock, Zac Saber will perform his soulful vocals and teenager, Matilda Rose wows audiences with her powerfully emotive and insightful songs that show a maturity well beyond her 16 years.
Meyers and McNamara boldly combine Klezmer and Jewish music with experimental instrumentals and original compositions and there’s also Island music, fused with jazz, reggae and African roots from Benji and the Saltwater Sound System and a fusion of hard rock and blues from The Quick and The Dead.
Community Choirs sing loud and proud and this year’s line-up includes the Grassroots Union Choir of Tasmania, Alleycats Community Choir from Victoria and InterVarsity from the ACT. There’s also the Ukestral Voices from NSW, singing three to four part harmonies accompanied by the ukulele, with a touch of comedy thrown in.

The National Folk Festival celebrates not only music, song and dance, but also the spoken word and poets in the 2018 line-up include award winning Keith McKenry with his mischievous and irreverent mix of original verse and bush poetry, Sandra Renew with her social and political critique, Andrew Galan described by reviewers as “riddled with satire”, poet and folk musician Daniel J Townsend, bush poet Peter Mace, performance poet Jacqui Malins teaming up with cellist Julia Horvath and award-winning cowboy poet and wordsmith extraordinaire from the US, Dick Warwick, presenting classic and original verses.
There’s also satirist and poet-musician Martin Pearson, Canberra’s own BAD!SLAM!NO!BISCUIT! with their poetry, rhyming, hip hop, verse, manifestos, shopping lists, rants and more, bush poetry from Gregory North and the comedy act, Glover and Sorrensen, who say they are just two blokes having a chat with the audience.
There’s something for everyone at the National and in 2018, fun activities for the whole family include the Super Circus Squad with their interactive show following the journey of two super-heroes and the String Bean Puppets from New Zealand.


Bakers' Dozen banner web.jpegUS, IRISH, GREEK, ENGLISH AND SERBIAN ACTS JOIN TOP AUSTRALIAN ACTS
The National Folk Festival has announced a bakers’ dozen of 13 more artists, joining the growing line-up of exciting acts for 2018.
Performing in Australia for the first time and exclusive to the National is US acoustic duo, Ryanhood. Starting their music career as street-performers at Boston’s Quincy Market, they have won more than a dozen music awards in their home state of Arizona including Best Folk Band and Best Rock Band. Cameron Hood’s rich and folky lead vocals, Ryan Green’s explosive guitar and mandolin riffs, their airtight vocal harmonies and easy rapport with audiences have become a hallmark of their shows.
With a name that combines the Latin word for purple, a colour symbolising spirituality and mystery, with the name of group leader Chrysoula Kechagioglou, Chrysoula K. & Púrpura (Greece) bring together East and West. Creating a sound mosaic that is nostalgic, vivid, playful and airy, their music is a mesmerising exploration of ‘the endless dialogue between the four cardinal points of the horizon’.
From Serbia and the UK, Faith i Branko merges the genius of Branko Ristic—one of the leading Roma violinists of this century—with Faith Ristic, a charismatic and virtuosic UK accordionist. The two came together when Faith travelled to the Balkans in search of a Gypsy violinist to join her circus band. Their music is sheer delight with their fusion style switching with ease from exuberant Balkan Romani music to ragtime, classical influences and reggae.
Also joining the register of international artists for the 2018 National Festival are young, high-energy contemporary bluegrass quintet Flats and Sharps (UK) along with Ireland’s John McSherry and Donal O’Connor, regarded as the finest traditional Irish Uilleann Pipe and fiddle duet of their generation; their sound is acoustic perfection itself.
Headlining the Australian contingent is Damian Howard (VIC), whose new album, Ned, includes new interpretations and original-penned songs that celebrate the life and times of one of Australia’s most notable historical figures, Ned Kelly.
The impressive list continues with Miriam Lieberman (NSW) performing on kora (African harp) and guitar. Her songs are reminiscent of Joni Mitchell infused with the rhythms of West Africa, enhanced by the soaring string and vocal accompaniment of Lara Goodridge on violin and Liz Frencham on double bass.
The Black Swans of Trespass (TAS) will have audiences up on their feet with their funky, soulful, sound, while high-energy travelling folk band, The Button Collective (NSW), combines new Australian stories with elements of traditional Irish music, spiced up with the spirit of fast-paced American old-timey grooves.
Horns of Leroy (VIC) take street music to a new level with their New Orleans to Fitzroy inspired flavours, The Royal High Jinx (VIC) write, play and sing music inspired by European traditions while sporting a spectacular burlesque wardrobe and Squeebz (VIC) takes Irish, Cape Breton, Québécois and Breton music to a new level with their high-energy tunes and songs.
For the kids, it will be a chance to buckle up and take a trip in a giant time machine to get up close and personal with a life sized T-Rex! Dinosaur Time Machine incorporates the latest discoveries about dinosaurs with circus and puppetry, in this unique educational theatre production.


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NATIONAL FOLK FESTIVAL MAJOR LINE-UP ANNOUNCEMENT
The National Folk Festival celebrates the diversity of folk with a major announcement of artists for 2018.
Audiences will be treated to some of the very best exponents of their craft from Australia and the world when the 52nd edition of this iconic event hits the Nation’s capital next Easter. Headlining a stellar list of acts is Scottish super group Breabach, Nashville darling Lindsay Lou, the ‘unhinged genius’ of Steve Poltz, Celtic songstresses Cara, wildly entertaining and brilliantly named Ten Strings and A Goat Skin, and Indigenous performer Gina Williams, who returns to the Festival with her full band.
Today’s announcement also features a mix established and much-loved artists alongside new and emerging performers of uncommon talent and virtuosity who have yet to become household names. The National presents a superb opportunity for audiences to hear these acts on stages from the intimate through to the capacious, all within a lively village environment.
With music and entertainment to capture every age and taste, from young indie duo Amistat (twin brothers Jan and Josef Prasil) to the ‘rebellious beauty’ of Bush Gothic or The Western Flyers with their electrifying Texas swing, there will be plenty on the table to whet the appetite for good music.
The National is renowned for presenting the very best of folk. Old-timey and trad acts rub shoulders with the contemporary and new. Audiences will relish the gritty hill-style gospel blues duo Hat Fitz and Cara, virtuoso folk-blues guitarist Daniel Champagne, sublime UK duo Chris While and Julie Matthews, Canadian trio The Good Lovelies and glam-folk sirens-of-satire Sparrow-Folk. Add the lyrical bluegrass songs of the John Flanagan Trio, glorious tunes and vocals from Marcia Howard, diplomat-turned-musician Fred Smith and the sensual, theatrical performances of Chaika, and you’ll be spoilt for choice.
The list goes on: old time fiddle and banjo duo Cat and Clint; Charm of Finches (teen sisters Mabel and Ivy Windred-Wornes); The Chordwainers playing instruments crafted by world-renowned leather sculptor, Garry Greenwood, and the ‘infectiously fun’ Coconut Kids with French-influenced world folk using ukulele, brass, bass, keys, violin, mandolin and percussion.
In a treat for dancers, Australia’s leading Scottish Country Dance musicians, Chris Duncan with Catherine and Jennifer Strutt, will blow the party shoes off everyone on the dance floor! Ace fiddle player Gordie ‘Crazy Legs’ MacKeeman and His Rhythm Boys will thrill with their exuberance and unstoppable roots music force, while Gippsland-born troubadour Harry Hookey, performing with Lucky Oceans and David Hyams, will wow audiences with their rousing sing-along stomp.
Families and children will delight in Australia’s favourite family puppet show, the Amazing Drumming Monkeys, blending puppetry, live music and comedy while lovers of circus will be enchanted by the glitter and laughter of Madhouse Circus and the nautical nonsense and sea shanty shenanigans of Pirateman Michael.


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NFF ANNOUNCES SIX-PACK TASTER OF TOP ARTISTS
The 52nd National Folk Festival has announced its first round of artists for 2018, with six outstanding headline acts from the UK and Australia.
From England, Faustus and Belshazzar’s Feast will head to our shores to perform exclusively for Festival goers. Also on the bill is returning Festival favourite, Katey Brooks (UK) as well as homegrown heroes Mick Thomas and The Roving Commission (VIC), 19-Twenty (NSW) and Frumious (TAS).
From ‘bloke folk’ and ‘punk blues’ to gypsy jazz fusion and the indefinable and yet unmistakable sound of grassroots and suburban Australia, these diverse acts represent the very best in folk music today. They’re at the top of their game as virtuoso musicians, songwriters and entertainers, and each will bring their unique sound to Exhibition Park, Canberra throughout Easter (29 March—2 April 2018).
Heading the list is Faustus (UK), a ‘bloke folk’ triumvirate of prodigiously talented multi-instrumentalists; Paul Sartin, Benji Kirkpatrick and Saul Rose. This trio evolved from award-winning band Dr Faustus, and all three members have performed in other leading acts including the Seth Lakeman Band, Bellowhead, Waterson:Carthy and Whapweazel. Their three albums and dynamic shows have earned them widespread acclaim as the leading lights of their generation, with The Guardian describing them as “one of Britain’s outstanding folk bands” and The Independent on Sunday declaring their mission to be “to rescue contemporary folk from the curse of feyness…”.
Belshazzar’s Feast (Paul Hutchinson and Paul Sartin, UK) play breathtakingly beautiful and wickedly inventive tunes on oboe, accordion and violin, many of which incorporate slapstick comedy with outstanding musicianship.
Guitarist-singer-songwriter Katey Brooks (UK) has a haunting intensity and a “voice to melt glaciers” (Venue Mag). After blowing away three full houses at the 2017 Festival, Katey is packing her guitar and returning to Australia with her new album, We The People.
Another returning Festival favourite is the ‘raucous and manic’ trio from the NSW east coast, 19-Twenty. Featuring Kane Dennelly (vocals and guitars), Syd Green (percussion, drums, dobro) and John Gwilliam on double bass and vocals, 19-Twenty believe in “asking for forgiveness not for permission” and, accordingly, their music is the closest to punk the blues will ever get.
Each year the Festival draws on the best folk acts from two feature states, in a nod to its history as a travelling festival. For 24 years the Festival was held in different Australian cities and towns before putting down roots at its permanent home at Exhibition Park, Canberra. Tasmania and Victoria are the featured states for the 52nd National Folk Festival.The first acts announced for the featured states are Frumious, a high-energy quintet from Hobart. Borrowing from many styles and cultures, their music is an infectiously upbeat fusion of folk and gypsy jazz with a fresh, contemporary and original sound.
Mick Thomas & The Roving Commission (VIC) features raconteur, troubadour, balladeer and poet, Mick Thomas, along with Squeezebox Wally on piano accordion and a rotating lineup of talented performers to keep the party alive with Mick’s unique mix of folk, roots and country.

Media campaign: Jessie Lloyd’s Mission Songs Project

The Songs Back Home is a collection of Australian Indigenous folk songs performed from 1900-1999 on Christian missions, settlements and native camps where Indigenous people were relocated. As part of her Mission Songs Project, Jessie Lloyd has spent the past two years faithfully exploring the journey of Indigenous Australian music, connecting traditional with contemporary, and charting continuing cultural practice and oral traditions well into the 21st century. The songs, largely hidden from the outside world, comprise rare and almost-forgotten stories, shedding light onto the history and experiences of Indigenous people, their families and communities. Jessie launched The Songs Back Home, the first of the Mission Songs Project collection, in March 2017 at the Brunswick Music Festival and is touring the album throughout the east coast of Australia.

“The 20th Century songs composed and sung on Aboriginal missions and settlements are records of our history and history and tell us about the emotions and aspirations of their composers. Jessie Lloyd’s research to find these songs is a profoundly important contribution to our nation and music.”—Professor Marcia Langton, AM, Mission Songs Project advisor and contributor

“Mission Songs Project presents contemporary folk songs that continue the ancient song lines of this country. The songs speak of the daily lives of the First Peoples who were relocated from their traditional homelands to the missions.”—Archie Roach, AM, Mission Songs Project advisor and contributor

The Songs Back Home CD reviews:

“…a significant release both as a cultural artifact but also for its pure enjoyment factor… full of love and life and hope, sung with great emotion at a level rare in many contemporary albums… As a listener you feel part of the circle and included in the experience. The songs take you through a range of emotions—sadness but also overwhelming joy, compassion, love and many others.”—Steve Britt, Rhythms magazine, May/June 2017

“… a great addition to recordings of genuine Australian folk music… a triumph for Jessie Lloyd.”—Tony Smith, Trad & Now magazine, May 2017

“Islander rhythms, campfire country and defiant humour celebrate simple joys. Melancholy ballads chart a journey of blood, sweat and tears… you’ll almost hear the kettle boil as a closing home recording of the elders invites us to sit down with these unsung survivors.”—4.5 stars, Chris Lambie, Fairfax (The Age, Sydney Morning Herald, Brisbane Times) (read the full review)

“This album defies categorisation in an exciting and innovative way. This contrasting material, with its mix of optimism, happiness, humour alongside sorrow and hardship, characterises the main artist Jessie Lloyd’s wish to promote conciliation through music.”—Ethnomusicologist, Dr Muriel E. Swijghuisen Reigersberg, Loud Mouth (The Music Trust) (read the full review)

“…profoundly moving… the entire collection is sublime.”—4.5 stars, Stephen Fitzpatrick, The Australian (read the full review)

Mission Songs Project, Jessie Lloyd media interviews:

Reviews of the live Mission Songs Project show:

National Folk Festival, April 2017 Rhythms magazine: “Stand-out artists of the Festival included National Folk Fellow Jessie Lloyd for her Mission Songs Project who, with a line-up of top Indigenous artists, presented a rare collection of early Australian Indigenous contemporary songs that were performed on missions and settlements. All Jessie’s shows were packed out.
https://rhythms.com.au/2017-folk-festival-glowing-success/

Port Fairy Folk Festival, March 2017 Chris Lambie, Rhythms magazine: “Daughter of Joe Geia, Jessie Lloyd, travelled the nation to talk with elders for The Mission Songs Project. ‘The Songs Back Home’ is a collection of Indigenous folk songs performed on Christian missions, settlements and native camps from 1900-1999. Not a moment too soon, Lloyd has revived these unique songlines before they’re lost forever. The warm and articulate performer shared the lead on family yarns and glorious harmonies with Emma Donovan, Deline Briscoe and Jessica Hitchcock.”
https://rhythms.com.au/port-fairy-folk-festival-2017-thats-wrap/

Blue Mountains Music Festival, March 2017 Elizabeth Walton, Timber & Steel: “The Mission Songs Project brings new life to the voices of the stolen generation and indigenous Australians who were splintered from their cultures when they were made to sing in a foreign language. Today, traditional languages are so far removed from their vernacular that singing in English has become the mainstay, the local languages have become the foreign tongue. Yet everything has its resurgence if you can claim it before it achieves vanishing point. The stories are heartfelt and beautifully sung – perhaps not with the campfire instruments of their natural settings, but the end result is one that adapts well to the contemporary stage and travels to a diverse and broad audience – for The Mission Songs Project, this is mission accomplished, and accomplished incredibly well.”
https://timberandsteel.wordpress.com/2017/03/21/2017-blue-mountains-music-festival-the-wrap/

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The Songs Back Home album information
Artist: 
       Mission Songs Project / Jessie Lloyd
CD title:    The Songs Back Home
Synopsis:  10 songs selected from a collection of Australian Indigenous songs from 1900 to 1999, focusing on the Christian missions, state-run settlements and native camps where Aboriginal and Torres Strait Islander people were relocated. Curated, arranged and produced by Jessie Lloyd.

Album Credits:
Produced by Jessie Lloyd
Recorded at The Aviary Recording Studio, Melbourne
Engineered, mixed and mastered by Colin Leadbetter
Artwork by Joe Geia and Creative Design by Lyn Geia
Project Patrons and Advisors – Prof Marcia Langton AM and Archie Roach AM

Singers and Musicians:
Jessie Lloyd – vocals/ukulele/acoustic guitar
Monica Weightman – vocals/acoustic guitar
Leah Flanagan – vocals
Karrina Nolan – vocals
Jess Hitchcock – vocals
Iain Grandage – piano/piano accordion
Ed Bates – pedal steel guitar
Rob Mahoney – double bass
Archie Roach – vocals/acoustic guitar (track 11)
Lillian Geia – vocals/ukulele (tracks 10 & 12)
Lynelda Tippo – vocals (tracks 10 & 12)
Alma Geia – vocals (track 13)

Track Order:
1.  Own Native Land  2:53
2.  Outcast Half-Caste  2:35
3.  The Irex  3:32
4.  Down in the Kitchen  2:03
5.  Hopkins River (feat. Monica Weightman)  3:25
6.  Old Cape Barren (feat. Jessica Hitchcock)  3:25
7.  Middle Camp  3:00
8.  Surrare  2:20
9.  Port Fort Hill  2:49
10.   Now Is the Hour Medley (feat. Lou Bennett, Leah Flanagan & Mere-Rose Paul)  4:23

Bonus Tracks:
11.   Hopkins River – Archie Roach  2:14
12.   The Irex – Geia Sisters (Lillian Geia and Lynelda Tippo)  1:11
13.   Down In the Kitchen – Alma Geia  0:38

Dedicated to Alma Dawn Geia (1921 – 2016)

About the Mission Songs Project
Mission Songs Project is an initiative to revive contemporary Australian Indigenous songs from 1900 to 1999, focusing on the Christian missions, state run settlements and native camps where Aboriginal and Torres Strait Islander people were relocated.
Searching for the secular songs that were sung after church, Mission Songs Project looks to explore the day to day life of the mission days, from cultural identity to love and loss. These unique songs consist of almost forgotten stories that can now shed light into the history of our Indigenous elders, families and communities.
Mission Songs Project faithfully explores the musical journey of Indigenous Australian music as Jessie Lloyd connects the traditional with contemporary, revealing the continuation of cultural practice and song traditions into the 21st Century.
missionsongsproject.com

Mission Songs Project advisors and contributors:
Archie Roach
Marcia Langton
Peena, Cedric, Lillian, Delphine and Joe Geia
Lynelda Tippo
Frank Anderson
Paul Gorden
Jeremy Beckett
Karl Nuenfeldt
Chris Sullivan
Aaron Corn
Clint Bracknell
Elverina Johnson
Will Kepa
Seaman Dan
Cessa Mills
Roger Knox
Kath Mills
Stephen Pigram
Baamba Alberts
Rosie Smith
Jill Shelton
Emma Donovan
Deline Briscoe
John Wayne Parsons
Luana Pitt
Tiriki Onus
Monica Weightman
Robert Champion
William Barton
Marlene Cummins
Warren Roberts
Johnny Nicol
Mindalaya Read
Eugenia Flynn
Leah Flanagan
Karrina Nolan
David Williams
Jessica Hitchcock
Vonda Last
Eddie Peters
Maxine Briggs

Mission Songs Project Sponsors and Supporting Programs:
State Library of Victoria – Creative Fellowship 2016
National Library of Australia – Folk Fellowship 2017
South Australian Museum – Tindale Collection, AA346 Board for Anthropological Research Collection
Archie Roach Foundation
Australia Council for the Arts
Creative Victoria
Australian Performing Rights Association

Jessie Lloyd Bio:
Originally from the tropics of North Queensland, Jessie Lloyd is an Aboriginal and Torres Strait Islander musician who performs a broad collection of Australian Indigenous songs. A vocalist, guitarist, bassist and ukulele player, Jessie earned her formal qualifications at Abmusic in Perth, WA in 2002.
An award winning composer, performer and creative entrepreneur, Jessie is a cultural practitioner of Aboriginal and Torres Strait Islander music. Dedicated to the continuation of cultural traditions through the presentation of both contemporary and traditional Indigenous music.
Jessie has travelled Australia in search of hidden songs to present this rare Indigenous narrative. From the Bass Strait to the Torres Strait and across the Arafura Sea, Jessie has spent time with Aboriginal and Torres Strait Islander senior song men and women, uncovering precious stories and songs from the mission days.
http://www.jessielloyd.com

Song synopsis:
1. OWN NATIVE LAND                Composed by Albert ‘Albie’ Edward Geia
This song was ­written by Albie Geia shortly after leading the 1957 strike on Palm Island with six other Indigenous men. The strike was against the discriminatory treatment of Indigenous people, after a petition to the superintendent demanding improved wages, health, housing and working conditions, was ignored. As punishment, Albie and his family were removed to Woorabinda, Qld.

2. OUTCAST HALF-CASTE            Composed by Micko Donovan and Mary Deroux
This song was written by Micko Donovan and Mary Deroux of northern New south Wales about growing up half-caste, a now ­derogatory term, used to describe Indigenous people of mixed heritage. The term was one of many devised in the ­policy to assimilate or ‘breed out’ ­Aborigines, and part of the ­misinformed theories of the ‘survival of the fittest’ that were deployed to result in Aboriginal extinction. Micko was raised on a mission and learned to play music from the local missionaries.

3. THE IREX                                Composer unknown
The Irex was the boat that transported Aboriginal and Torres Strait Islander people who were forcibly removed from the mainland settlements governed by the Native Affairs officers or missionaries to Palm Island Aboriginal Settlement in Queensland. The Palm Island settlement was known as a ‘punishment island’ for those who committed misdemeanours on other government ­settlements or missions. A strike was organized by the Aboriginal ­residents in 1957 to protest the brutal conditions.

4. DOWN IN THE KITCHEN                        Composed by Alma Geia
This song is from the children’s dormitories on Palm Island, Queensland. It was composed by one of the residents, Alma Geia, in the 1920s. This innocent tune gives some insight into the living conditions of children who were removed from their families and placed in the segregated dormitories and how they made light of tough times.

5. HOPKINS RIVER                            Composed by Alice Clarke
A song brought to the project by senior songman Archie Roach.  This song comes from Framlingham mission in southwest Victoria, which was founded near the Hopkins River. It was from here that Archie was forcibly removed from his family which inspired him to write his classic song “Took the Children Away”. Hopkins River was written by Archie’s grandmother’s sister, Alice Clarke.

6. OLD CAPE BARREN                        Composer unknown
The Tasmanian ­Aboriginal community have a long history with Cape Barren Island but the last 200 years has been the most brutal act of ­genocide and ­oppression. The islanders have always maintained a strong ­presence and ­connection to Cape Barren, including cultural practices such as ­mutton birding. This beautiful song paints a picture into the old days, full of love and loss. It is an honour to have our Tasmanian brothers and sisters represented in Mission Songs Project.

7. MIDDLE CAMP                            Composed by Eric Craigie
Middle Camp was an Aboriginal camp set up on the fringes of the township of Moree in New South Wales. It was one of three camps and was closed down at some point by the local shire. 
Composed by Eric Craigie, this song is a protest ballad about displacement from his home when Middle Camp was closed. The lyrics and tune are full of optimism, resilience and determination, and love of the old community of the camp.

8. SURRARE                                Composer Unknown
A song from the Torres Straits, Surrare is a song about hunting a seabird that is sung in Ailan Kriol language. The Western Island language name for seagull is ‘Saora Leh’ and pronunciation has changed over time in various places. The final verse is Cowral Mut, a ‘curry feathered small bird’ and it sings of hunting inland as opposed to hunting coastal. This track incorporates all three versions although excluding the Western Island language words in the 3rd verse. The song was made popular by Joe Geia on his first solo album Yil Lull.

9. PORT FORT HILL                            Composer Unknown
A song from Darwin during the Second Word War, Fort Hill was a location where the Aboriginal and Torres strait Islander men used to scout for enemy ships and spies to keep the town safe. During the post-war years the Australian Half Caste Progress Association held weekly fund-raising dances at The Sunshine Club in a decommissioned Army barracks. This was one of the songs that was performed during those times.

10. NOW IS THE HOUR MEDLEY                    Traditional
This song, also known as the Maori Farewell, is a heartfelt tune adopted by Aboriginal and Torres Strait Islander people on missions in the early 20th century. The Maori wives sang it to their husbands as they left to fight in WWI. It was then shared among the ANZACs including Aboriginal soldiers. The hymn Search Me Oh God was composed by a missionary from New Zealand using the same melody and is well know on many Aboriginal missions. Guest vocals are by Lou Bennett, Leah Flanagan and Mere-Rose Paul.