Gelareh Pour and Garden Quartet

Gelareh Pour’s Garden Quartet album launch and national tour 2019

Talented Australian-Iranian musician Gelareh Pour is launching Garden Quartet, her band’s self-titled debut album, with a national tour beginning in July.

Gelareh formed Garden Quartet in 2016 in collaboration with Brian O’Dwyer, Arman Habibi and Mike Gallichio, creating and performing music which Gelareh describes as Iranian-Australian contemporary music fusing elements of world music, avant garde, alternative/indie post-rock, dark ambient and romantic, sung in Farsi.

Having studied in Iran and then obtained her Masters of Ethnomusicology at the University of Melbourne, she is a respected composer, vocalist and multi-instrumentalist master of Persian/Iranian instruments including Kamancheh (spiked fiddle) and Qeychak Alto (Iranian bowed lute). She has previously released three albums to widespread acclaim, and is a contributing member of Boite World Music Café and Victoria’s Iranian House of Music. Gelareh is now based in Melbourne where she regularly performs with some of Australia’s most innovative experimental musicians.

The theme of the album Garden Quartet is “more than one place”, drawing on Gelareh’s experiences and stories about living and creating music in two very different cultures, together with her bandmates’ differing cultural backgrounds and the stories they’ve carried along their personal journeys.

Gelareh also incorporates the stories of women who have had to flee from war-torn countries inspired by Gelareh’s academic research work on The Lives of Iranian Women Singers in Diaspora.

Celebrated as a vocalist of rare and ethereal skill, the 34-year-old has nonetheless experienced hardship as a female singer in Iran. There, she was only able to perform covertly in underground venues, as women are forbidden to sing solo in public under Islamic law. Women’s voices are viewed as “too provocative” and their hand movements when playing instruments deemed “too erotic”. As a result, Iranian women can only play instruments in male-led bands, or perform to all-female audiences, who must also obtain permits for all performances via an arduous bureaucratic process. By contrast, singing as a woman solo singer with no restrictions on the stage and in recordings is very special to her. In Australia, for the first time in her life, Gelareh feels she has true musical and creative freedom—a feeling of exhilaration that is beautifully expressed in the compositions on Garden Quartet.

Media release written by Diana Wolfe and Gianna Huesch

Deline Briscoe, Yalanji Woman of Song launches solo debut CD, Wawu

After 10 years touring the world as a principal artist with the Black Arm Band and performing with Archie Roach, Dr G Yunupingu and Jessie Lloyd’s Mission Songs Project, Yalanji woman of song Deline Briscoe has launched her stunning solo debut album, Wawu.
Wawu—a Yalanji word encompassing the concepts of spirit, heart, love and connections between people, land, past, present and future—tells the story of four generations of women from one family: Deline, her daughter Jade, her Mother and her Mother’s mother.
Sung in Yalanji language as well as English, the songs extend a gentle call to people struggling in life; an acknowledgement of their pain, and a tender reassurance that can only come from women who have risen, triumphant, from the darkest of times.
While the songs speak of the older women’s journeys through the trauma of separation from their families and of her own experience with abusive relationships, the mood of the album is compassionate and redemptive. In both subject and style, the album’s acoustic soul/hip-hop/jazz fusions draws parallels with Lauryn Hill’s groundbreaking The Miseducation of Lauryn Hill.
Deline’s extraordinary, soulful and jazz-infused vocals are enriched by all-acoustic instruments brilliantly played by Airileke Ingram (drums), Robbie Finch (double bass), Stephen Maxwell (piano), Paul Coyle (trumpet) and Phil Bywater (clarinet/saxophone) as the core band.
Special guests include ARIA award-winning jazz pianist/composer Andrea Keller, with whom Deline co-wrote the exquisite Sonrise. Ignorance Is Bliss, written by Tiddas (Lou Bennett, Amy Saunders and Sally Dastey), is given a contemporary re-working and features the reunited Tiddas on harmony vocals. Deline’s 12-year-old daughter, Jade’Amali Leuga, lends her assured spoken-word vocals to In The Night. Sister songstresses from the Mission Songs Project, Jessie Lloyd, Jess Hitchcock and Emma Donovan, harmonise throughout.
In Ngadijina, a spoken-word piece, Deline recites her Nanna’s memories of witnessing her family being taken by police in the era of the first stolen generation (quoted verbatim from her Nanna’s interview for the Bringing Them Home report), while the ethereal Tree (co-written by Deline and Bart Willoughby, based on a poem and lyrics by Kevin Gilbert), is a hymn to creation and nature.
Wawu is the realisation of Deline’s creative vision, nurtured over the last 20 years. The launch concerts promise to capture the imaginations, hearts and ears of audiences—her album and show will be a spiritual experience as much as a musical journey.


INTERVIEWS
Saturday 30 June 2018—ABC Radio National, Awaye with Daniel Browning
Sunday 8 July 2018—ABC Radio National, The Music Show with Andrew Ford


DELINE BRISCOE—BIO
Deline Briscoe is an internationally acclaimed singer songwriter hailing from the Kuku Yalanji of far northern Australia. Her soulful intimate sound has defined her as one of Australia’s finest voices. A principal artist in Australia’s leading performing arts company Black Arm Band, Deline has performed to over one million people worldwide, alongside artists such as Archie Roach, Dr G Yunupingu, Tiddas, Emma Donovan, and Jessie Lloyd’s Mission Songs Project.
Showcasing her strong Indigenous heritage with songs in her mother tongue Gugu Yalanji of North Queensland, Deline’s progressive journey as a Yalanji songwoman upholds cultural song traditions through her language connection. As a mother, Deline also has an understanding of the beauty and pain of our human experience, her songs bring messages of love, hope and empowerment for women. With humble beginnings in the trio act Briscoe Sisters, Deline developed exceptional abilities in musical arrangements and compositions. Her unique sound is described as ‘Rainforest Soul’; acoustic roots with harmonies interweaving vocal lines that seamlessly move between traditional and modern songlines.
Deline Briscoe EPK